Showing posts with label gold work. Show all posts
Showing posts with label gold work. Show all posts
Monday, 19 January 2015
Gold work seahorses
Tuesday, 24 June 2014
Goldwork flower
I have just finished my next project and it's now ready to teach later next month. This project isn't to complecated and is designed to get to grips with couching gold cord to an outline and how to apply padded and raised gold leather. Add a sprinkling of sequins and seed beads, along with some straight stitches and you get this modern flower window that could be mounted on a book front cover or used as a box lid. If you have never tried gold work before this is a good one to get you started
Monday, 3 February 2014
Gold work dragon workshop
It's only taken me four weeks of working on this dragon every evening to get him finished for my upcoming work shop. I just love a bit of extra pressure in my life to get my samples done. When will I learn to start earlier.
Jasper the dragon has been a true creation from the outset and most if not all things I had planned in my head did not happen as planned. He sort of developed by trial and many errors, but hey I call that designing on the go and change as I need to as I work through it.
I have used traditional gold work techniques to work him and the background fabric had its colour added to the surface with a brayer roller applying acrylic paints. The paint does make it harder to push the needle through but it's nice to be able to work on to a colour of your choice.
All I have to do now is take Jasper to the shop for the ladies to see and sign up to do him.
That's another job jobbed. Now for the next sample.
Sunday, 26 May 2013
Gold work beginnings
Morning
Late night last night. I really got into my gold work Christmas project. Yes I know it's only May but if you don't start these things early it'll be Christmas again before you know it . Lol
This is how far I have got. Still mases to do but at least it's armchair ready to pick up and put down
Sunday, 10 March 2013
Gold work in Bishops Stortford
Spent a great day at the Rhodes Museum in Bishops Stortford yesterday teaching Gold work to a LOVLEY enthusiastic group of ladies. They were given a choice of designs to work and once decided they quickly settled down to marking the design on to their fabric and setting it into an embroidery hoop. The two main techniques taught were how to couch a twist or cord round the design and how to pad and apply raised leather work to specific areas with extra tips and ideas thrown in along our journey.
All ladies were excellent with some even drawing up and starting their own designs which I look forward to seeing in the future.
All ladies were excellent with some even drawing up and starting their own designs which I look forward to seeing in the future.
Sunday, 29 April 2012
Alston Hall Residential [The outcome was great]
I finally made it home after a repeat wet journey of the Wednesday going up. I couldn't believe how much water was laying on the fields as i drove home from Alston Hall.
On Thursday I had a fab time teachinggold work. All ladies went home thrilled with what they had achieved, even ifit was only a piece the size of a postage stamp. Goldwork can’t be rushed andis terribly time consuming so even a small project can take weeks or even months.
Finished teaching at 4pm and clambered to my bed room where Icollapsed on the bed and did something I never do. I had a before dinner nap.
| It doesn't look much when you have spent all day working at it does it. |
| I'm not leaving until I have finished this bit |
On Friday after a lovely cookedbreakfast I taught stump work. We were making an Elizabethan sweet bag and asyou can imagine there wasn't much of that to show for a hard days sewingeither.
I had a couple of hours to myself at the end of the day and as thesun was shining I decided to get some fresh air and took the time to take somemore pics of the lovely building I was teaching in.
| The chapel. Not in use now but very pretty |
| Taken from the Crochet lawn |
We had all met up for the first time at dinner that evening andthen went to work afterwards. We only did an hour of me explaining andinspiring so that we could get going straight away after breakfast onSaturday. Everyone was generally worn out on the Friday eveningas they have had to travel, but you always get one or two who want to burn themidnight oil so I signed off at 9.30pm and headed for the bar for a nice glassof chilled wine followed by an early night to bed.
Saturday we got going while making friends and stitching. Demonstrations happenedthroughout the day and I got the job of trying to extract informationfrom each student to help them achieve a stunning piece of work across theweekend, which they all did. I could have brought every piece home with me butthey wouldn’t letthem go and tucked them away quickly so that I couldn’t pinch any
My ladies were all lovely and we all got on a treat. Ihope I bump into them again in the future.
They produced some great work all of which I could of run awaywith. Have a look and see!!!!
| Paula's piece based on photos from a derelict church |
| I love the bronze through to blue and green appearing in this architechtural sample |
| A lovely sample of layered organza, stitched with straight lines and cut out with the soldering iron |
Based on Andy Goldworthy's stone photos
| Ghost tree based on Andy Goldworthy's photos |
| Soldering out the material to be removed from the background and sealing the edges |
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